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The Safes possess that unique chemistry that only exists when a talented group of siblings form a band (ala The Kinks, The Breeders, The Stooges, Redd Kross, Right Said Fred). Call ‘em “garage-kissed power pop” ( San Francisco Chronicle), “atomic pop” ( Rolling Stone), or simply “wild and crazy” ( Chicago Tribune), The Safes have collected plenty of accolades for however you’d like to sum up their expert-level snappy songwriting and sharp showmanship. Now, with the band’s latest album Record Heat out, the brothers O’Malley ( Patrick, Frankie, and Michael) are bringing the music of The Safes to both their loyal fans and a whole new set of ears. The Safes are aware that an album titled Record Heat might be promising a lot, but with over a decade of experience in the studio and on the stage, the brothers O’Malley know what they are doing. The band’s “smart, melodic music” ( NPR) is rooted in ‘60s-era inspirations such as The Kinks and The Who – artists who knew how to deliver big on record and on stage. Contemporary comparisons such as Spoon, Guided by Voices, Thee Oh Sees and The Apples In Stereo make a whole lot of sense, too.

When it has come to getting that sound on tape, the brothers have recorded themselves at their own StudiO'Malley and have also worked with some top record producers like Brian Deck (Modest Mouse, The Shins, Iron & Wine), Keith Cleversley in Chicago at The Playground (Flaming Lips), Jim Diamond in Detroit at Ghetto Recorders (White Stripes), Jason Ward in Benton Harbor at Key Club Recording & Prole Arts in Chicago (Arcade Fire, Kid Congo Powers), and David Suycott (Spies Who Surf, Machines of Loving Grace) in Chicago at IDIGMusic.

Touring coast-to-coast since 2003, The Safes have established large, loyal fanbases across the country on the strength of their live show which is a sweaty explosion of energy and melody. The Safeshave also shared the stage
with such notable acts as Andrew Bird, The Smoking Popes, members of Wilco and The Raconteurs to name a few.

The boys have been very fortunate to have worked with such talented & generous friends such as: director/filmography/editors Andrew Maggio & pupeteer Rachel Frizzi for The SAFES "The Sky is Falling" puppet massacre (premiere on Pitchfork TV) and Well, Well, Well's cold killer "Since Trust Went Bust"(premiere on Daily Motion); to Nika Thiel's masktacular "Deception"; Mike Hindert's chicken caper for "Hopes Up, Guard Down" (premiere on CMJ) and the weeper rabbit peeper "She So Sad, and most recently a uniquely global video directed by Mickey Mangan for The Safes "I Would Love To”, that was filmed by Safes fans in 15 countries and represents 12 languages (premiere on Yahoo! Music).

The Safes releases have also led to live performances on WGN Midday News, a feature episode on JbTv and airplay on college and community radio stations across the US such as WFMU, WLUW, KHDX, WMBR, KEXP
among hundreds of others along with WXRT, KROQ, WFNX, and WLUP.

Press Clips

“A spitfire band of Irish brothers who are Chicago’s answer to The Kinks. They have mastered the ground between garage rock snarl and explosive power pop
with a handful of nationally acclaimed records and a raucous, buzzed about live show. It’s a big, thrilling sound built to bore into your head, and stick there. ”
-Chris March, New Haven Register

"Chicago's The Safes are out to conquer America the old-fashioned way — one city at a time. This trio of brothers channels the raw energy of '60s-style soul through modern power-pop song structures,
with tunes built on fiery riffs and fierce hooks. The Safes' sweat-inducing live shows earn rave reviews, but their efforts in the studio are also inspiring."
-Brian Lee, Hartford Courant

"Chicago power-pop band-- centered around a trio of multi-instrumentalist brothers-- craft well-executed songs.”
-Nate Patrin, Pitchfork

"The Safes rise to the occasion and give it everything they've got!"-- Richard Milne, 93.1, WXRT

"'Well, Well, Well' marks a move away from The SAFES' grittier beginnings and toward the more melodic pop sensibility
favored by the likes of Fountains of Wayne and The Raconteurs' Brendan Benson"
-Jonathan Perry, Boston Globe

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